Having a good voice isn’t the defining quality of what makes a good voice-over artist. Really, anyone can do voice-over if they have the ability to interpret a script honestly and convincingly. It has nothing to do with having great pipes. Acting ability and experience is more important to the success of a voice-over artist. That is why it is sometimes referred to as voice-acting.

I’ve had the opportunity to be involved with several theater groups over the years and have amassed an impressive resume of roles in dozens of plays. Below are just a few.

Glengarry Glen Ross (Shelly Levine)
Plaza Suite (Lead Male Roles)
Italian-American Reconciliation (Aldo)
The Sign In Sidney Bruestein’s Window (Sidney)
Hamlet (Ghost, Player, Osric)
Richard III (Hastings)
The Fantasticks (Bellomy)
Art (Marc)
The Housekeeper (Manley)
London Suite (Lead Male Roles)
M. Butterfly (Ambassador, Judge)
Tally & Son (Mr. Tally)
Long Days Journey Into Night (James Tyrone)

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